ANTI-AI ARCHIVE
RESEARCH GUIDE

Culture & Governance

ANTI-AI ARCHIVE · LUOCAO / CHEN HAOHAO

Revised 2026-10-07

Starting with artistic practice, works and authorship, examine who may use creative work or replicate voices and likenesses, who sets the rules for tools and platforms, and how workers refuse, negotiate permission and receive compensation. This topic brings AI art research, anti-AI events and creative labour into one reading path while retaining differences between places, industries, demands and evidence.

AI art: a guide to practice, authorship and controversy ↗

A search for “AI art” may be a search for works, tools, history or criticism.

What does AI art refer to? ↗

Research needs to identify the particular practice rather than group everything that has used AI into one category.

How can “Can AI make art?” become a research question? ↗

Break the value judgment into questions that can be investigated: who receives credit, whose labour is visible, how does a work enter a competition or exhibition, and which rules guide an institution’s response?

How does AI art history differ from using AI to study art history? ↗

The former studies AI-related artistic practices and their institutional, social and technical contexts.

Generative art and AI art: rules, learning and circulation ↗

The generative-art timeline connects early computing, software art, creative coding and crypto ecosystems through artists, works, platforms and exhibitions.

What is the anti-AI movement? Demands, actions and historical evidence ↗

The anti-AI movement is not a single organisation.

Why do creators and cultural workers oppose or restrict AI? ↗

Opposition to training without permission, replication of a voice or likeness, and demands for labour protections should not be conflated with rejecting every AI tool.

How can a protest or dispute be checked? ↗

Distinguish open letters, union announcements, platform responses, complaints and judgments, then compare event dates with publication dates.

Reading individual events as global art history ↗

Follow changes through an open letter, a platform or a form of artistic labour, or compare how consent, payment, credit and control are articulated across regions.

Creative labour, consent & AI rights: voice, performance and contracts ↗

AI disputes in creative labour concern particular voices, likenesses, performances and conditions of use.

Digital replicas and synthetic performers: what needs to be distinguished? ↗

Replicating a voice or likeness, using an existing performance for model training, and producing a synthetic performer are different activities.

From strike to agreement: distinguish announcement, ratification and implementation ↗

The 2023 screen strike and the 2024–2025 video-game performers’ strike concern separate contract negotiations.

Public hearings and a voice-rights case: different institutional routes ↗

The Brazilian Dublagem Viva records connect dubbing workers’ demands, delivery of a manifesto and a congressional hearing.

How can consent, compensation and control be researched? ↗

Ask of each source: which use does consent cover, and are training and outputs distinguished?

Related cases & evidence

These cases provide material for comparison and verification; no single source substantiates every claim in the guide.

CASE-0037

Boris Eldagsen / PSEUDOMNESIA award-refusal intervention ↗

Research is ongoing; collected events do not constitute a complete case history.

RELATED SOURCE IMAGE
Boris Eldagsen, PSEUDOMNESIA: The Electrician (2022), reproduced on the artist’s account of declining the 2023 photography award.View full image ↗

Boris Eldagsen, PSEUDOMNESIA: The Electrician (2022), reproduced on the artist’s account of declining the 2023 photography award.

© Boris Eldagsen; artist’s website

Source · Sony World Photography Awards 2023: artist’s account ↗
Read the case, chronology & documents ↗
CASE-0011

Christie’s / Augmented Intelligence and open letter ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
An illustrative image of Alexander Reben’s Untitled Robot Painting, published in Christie’s sale announcement on 7 February 2025.View full image ↗

An illustrative image of Alexander Reben’s Untitled Robot Painting, published in Christie’s sale announcement on 7 February 2025.

Alexander Reben; image source: Christie’s

Source · Augmented Intelligence sale announcement ↗
Read the case, chronology & documents ↗
CASE-0072

Zarya of the Dawn / Review of comic copyright scope ↗

Research is ongoing; collected events do not constitute a complete case history.

RELATED SOURCE IMAGE
Kristina’s Zarya of the Dawn. Reproduced in Chen Haohao’s 2023 commentary.View full image ↗

Kristina’s Zarya of the Dawn. Reproduced in Chen Haohao’s 2023 commentary.

Rights retained by original creators; reproduction source: Chen Haohao’s 2023 commentary

Source · Disco and AI: Is the Movement Against AI a New Luddism? ↗
Read the case, chronology & documents ↗
CASE-0039

Procreate / Statement against introducing generative AI ↗

Research is ongoing; collected events do not constitute a complete case history.

RELATED SOURCE IMAGE
An image of digital drawing from Procreate’s statement against introducing generative AI.View full image ↗

An image of digital drawing from Procreate’s statement against introducing generative AI.

Procreate / Savage Interactive; rights retained by source

Source · Procreate’s position on AI ↗
Read the case, chronology & documents ↗
CASE-U261001-03

Connecticut provenance duties for large generative-AI providers take effect ↗

Section 15 of Public Act 26-15 takes effect on 1 October 2026. It imposes provenance duties on covered providers of generative-AI systems with over one million monthly users that are publicly accessible for personal use by Connecticut consumers. It concerns generated or materially altered audio, images and video, subject to commercial and technical reasonableness.

Read the case, chronology & documents ↗
CASE-0001

ArtStation / NoAI ↗

This batch includes platform announcements on NoAI, content filtering, and anti-scraping measures; the protest’s beginning still requires evidence.

RELATED SOURCE IMAGE
The anti-AI movement on ArtStation. Reproduced in Chen Haohao’s 2023 commentary.View full image ↗

The anti-AI movement on ArtStation. Reproduced in Chen Haohao’s 2023 commentary.

Rights retained by original creators; reproduction source: Chen Haohao’s 2023 commentary

Source · Disco and AI: Is the Movement Against AI a New Luddism? ↗
Read the case, chronology & documents ↗
CASE-0055

Statement on AI Training / Cross-disciplinary sign-on against unlicensed training ↗

Research is ongoing; collected events do not constitute a complete case history.

RELATED SOURCE IMAGE
Image published with “Statement on AI training — Ed Newton-Rex”. Its creation date is not inferred from the event date in this record.View full image ↗

Image published with “Statement on AI training — Ed Newton-Rex”. Its creation date is not inferred from the event date in this record.

Image source: Ed Newton-Rex; rights remain with the original rights holders.

Source · Statement on AI training — Ed Newton-Rex ↗
Read the case, chronology & documents ↗
CASE-0006

SAG-AFTRA / Video-game performers’ labour dispute ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
SAG-AFTRA video game performers’ strike graphic, July 2024, preserved in contemporaneous coverage by 2x2.media.View full image ↗

SAG-AFTRA video game performers’ strike graphic, July 2024, preserved in contemporaneous coverage by 2x2.media.

SAG-AFTRA; reproduction source: 2x2.media

Source · SAG-AFTRA begins a strike against video game companies ↗
Read the case, chronology & documents ↗
CASE-0008

Brazil’s Dublagem Viva / Dubbing and AI regulation ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
Public hearing on AI regulation in dubbing at Brazil’s Chamber of Deputies, 29 August 2024. Photograph by Bruno Spada.View full image ↗

Public hearing on AI regulation in dubbing at Brazil’s Chamber of Deputies, 29 August 2024. Photograph by Bruno Spada.

Bruno Spada / Câmara dos Deputados

Source · Dubbing workers call for protection against unauthorised AI voice use ↗
Read the case, chronology & documents ↗
CASE-0031

NOMORE Unauthorized Generative AI / Japanese voice actors’ video campaign ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
A montage of participating voice performers published on the NOMORE Unauthorised Generative AI campaign website.View full image ↗

A montage of participating voice performers published on the NOMORE Unauthorised Generative AI campaign website.

NOMORE Unauthorised Generative AI campaign; rights retained by source

Source · NOMORE Unauthorised Generative AI campaign ↗
Read the case, chronology & documents ↗
CASE-0018

Glaze / Defensive tool for artists ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
A work by Karla Ortiz shown on the Glaze project website as a Glazed example.View full image ↗

A work by Karla Ortiz shown on the Glaze project website as a Glazed example.

© Karla Ortiz; source: University of Chicago Glaze project

Source · Glaze: project description and examples ↗
Read the case, chronology & documents ↗
CASE-0034

Nightshade / Defensive tool for creators ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
A treated work by Yujin Choo displayed as an example on the Nightshade project website.View full image ↗

A treated work by Yujin Choo displayed as an example on the Nightshade project website.

© Yujin Choo; source: University of Chicago Nightshade project

Source · Nightshade: project description and examples ↗
Read the case, chronology & documents ↗
CASE-U261001-01

IMPF and IMPEL publish principles for fair generative-AI licensing ↗

On 30 September 2026, IMPF and IMPEL proposed principles for generative-AI music licensing. They distinguish payments for past uses, training, generated outputs and future exploitation, and call for rightsholder involvement in scope and valuation. This is an industry negotiating framework, not a concluded collective licence or a statutory tariff.

RELATED SOURCE IMAGE
Title area of page 1 of the IMPF and IMPEL joint statement, 30 September 2026. Cropped from the original PDF; lettering is unchanged.View full image ↗

Title area of page 1 of the IMPF and IMPEL joint statement, 30 September 2026. Cropped from the original PDF; lettering is unchanged.

IMPF / IMPEL; official original document

Source · Joint Statement: IMPEL and IMPF on Fair Licensing for Generative AI ↗
Read the case, chronology & documents ↗
CASE-U261001-02

Third Circuit affirms the ROSS copyright and fair-use ruling ↗

In case 25-2153, the Third Circuit affirmed the copyright and fair-use ruling concerning 2,243 Westlaw headnotes. The opinion records a filing date of 29 September 2026; the court’s public list records the case on 30 September. The dispute concerns protected summaries used for a competing legal-search system. The ROSS system at issue was not generative AI.

RELATED SOURCE IMAGE
First page of the Third Circuit opinion in the ROSS appeal, No. 25-2153, filed 29 September 2026.View full image ↗

First page of the Third Circuit opinion in the ROSS appeal, No. 25-2153, filed 29 September 2026.

United States Court of Appeals for the Third Circuit; official original document

Source · Thomson Reuters Enterprise Centre GMBH; West Publishing Corp v. Ross Intelligence Inc., No. 25-2153 ↗
Read the case, chronology & documents ↗
CASE-0024

SAG-AFTRA / 2023 screen strike and digital replicas ↗

This case contains three dated events; see the timeline. Original documents, parties’ responses, and subsequent developments are still being collected.

RELATED SOURCE IMAGE
Striking actors and writers in Los Angeles on 17 July 2023. This photograph documents the strike, not the November agreement.View full image ↗

Striking actors and writers in Los Angeles on 17 July 2023. This photograph documents the strike, not the November agreement.

Photograph: Benoît Prieur; Wikimedia Commons; CC0 1.0

Source · Striking actors and writers in LA, July 2023 ↗
Read the case, chronology & documents ↗
CASE-0012

Beijing AI-generated voice / Voice actor’s personality-rights case ↗

Collected events and documents are linked in the timeline; the case history remains under research.

RELATED SOURCE IMAGE
Image published with “Beijing Internet Court issues first-instance judgment in AI-generated voice personality-rights case”. Its creation date is not inferred from the event date in this record.View full image ↗

Image published with “Beijing Internet Court issues first-instance judgment in AI-generated voice personality-rights case”. Its creation date is not inferred from the event date in this record.

Image source: Beijing High People’s Court, Jingfa Wangshi; supplied by Beijing Internet Court and published through The Paper’s government channel; rights remain with the original rights holders.

Source · Beijing Internet Court issues first-instance judgment in AI-generated voice personality-rights case ↗
Read the case, chronology & documents ↗
CASE-U261001-04

Maryland AI and deepfake identity-fraud amendments take effect ↗

SB 8 / Chapter 445, approved on 12 May 2026, takes effect on 1 October and amends Criminal Law §8-301. It brings specified AI and deepfake conduct within identity-fraud rules. The relevant prohibition requires knowing, wilful conduct and fraudulent intent, addressing harmful impersonation and specified false-record practices rather than generally banning AI art or stylistic imitation.

Read the case, chronology & documents ↗

Original sources

SRC-0015
SRC-0091
SRC-0025
Release Notes for Glaze ↗

SAND Lab, University of Chicago · EN

Read original source ↗
SRC-U261001-05
SRC-0016
Beijing Internet Court issues first-instance judgment in AI-generated voice personality-rights case ↗

Beijing High People’s Court, Jingfa Wangshi; supplied by Beijing Internet Court and published through The Paper’s government channel · ZH

Read original source ↗

This research guide is written by the archive. Its Chinese and English texts may include AI-assisted translations and may not yet have received independent human review. Check historical claims and rights information against the original-language sources.

Citation & methodology

This topic is a selection and reading path, not an exhaustive history. Cite the relevant record and original source for specific claims. To cite this guide, give its title, URL and access date.

ANTI-AI ARCHIVE. Culture & Governance. https://salondesrefuses.cn/en/topics/culture-governance/guides/overview

Methodology & citation ↗

Continue reading

AI art: a guide to practice, authorship and controversy ↗What does AI art refer to? ↗How can “Can AI make art?” become a research question? ↗How does AI art history differ from using AI to study art history? ↗Generative art and AI art: rules, learning and circulation ↗What is the anti-AI movement? Demands, actions and historical evidence ↗Why do creators and cultural workers oppose or restrict AI? ↗How can a protest or dispute be checked? ↗Reading individual events as global art history ↗Creative labour, consent & AI rights: voice, performance and contracts ↗Digital replicas and synthetic performers: what needs to be distinguished? ↗From strike to agreement: distinguish announcement, ratification and implementation ↗Public hearings and a voice-rights case: different institutional routes ↗How can consent, compensation and control be researched? ↗Further reading, sources & citation ↗Return to the selected card ↗Explore the full event chronology ↗