The archive provides Chinese and English research texts. Translations may be AI-assisted and may not yet have received independent human review. Consult the original-language sources alongside them.
Gallery describes Muvindu Binoy’s 2022 Protest in Colour at the opening of its 16 June–16 July 2022 exhibition: AI generation, selection and manual layering transform GotaGoGama protest photographs into prints.
Gallery/representative account, not independent observation or model test. Tools, versions, prompts, photo permissions and subject consent unknown. Reported 200-plus variants narrowed to about 5 are process claims, not all works. The 26 residency collages and 2022 AIseries remain distinct. Generated images are not documentary records. Unknown publication dates; footer/title not release evidence. In-person debut is gallery claim, not global first. Adds artist responses on source images, aesthetics and intentions; previous gallery reading limits preserved.
Case chronology
Gallery-reported display of Protest in Colour at exhibition opening
Gallery describes Muvindu Binoy’s 2022 Protest in Colour at the opening of its 16 June–16 July 2022 exhibition: AI generation, selection and manual layering transform GotaGoGama protest photographs into prints.
Binoy discusses source images and artistic aims
In a 1 August 2022 interview, Binoy describes combining news/photojournalism protest images, Renaissance aesthetics, AI and digital manipulation to commemorate protesters without shock alone.
Research question
A 2022 SriLankan protest-image process links generation, selection, manual layering and gallery print display with political-image circulation.
Related documents
DOC-1595Exhibition and AI protest-image seriesDOC-1596Retrospective on the production processDOC-1597Interview with Binoy and JayasundaraSources
Daily Mirror / Life (Wijeya Newspapers) · EN · 2022-08-01
Cite this record
ANTI-AI ARCHIVE. “AI Art History — Muvindu Binoy: Protest in Colour(2022).” case-0333. Include this page’s URL and your access date when citing.