Historical context & research account
Moles's French study later appears in English as Information Theory and Esthetic Perception. It examines how art objects are perceived as informational messages and how redundancy and complexity contribute to aesthetic experience. Alongside Bense's work, it supplies an important theoretical background for information aesthetics and subsequent debates about computational form.
Dates & version record
Date displayed for this node：1958 / 1966 · Date recorded in the research master：1958 / 1966
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Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
Théorie de l'information et perception esthétique
https://www.ncbi.nlm.nih.gov/nlmcatalog/246521
Current cited URL
Théorie de l'information et perception esthétique
https://books.google.com/books/about/Information_Theory_and_Esthetic_Percepti.html?id=N-xOAAAAMAAJ
URL cited in a research master or supplement; it may have moved or expired
Provenance, translation & verification
Archive node #009 · Historical node
Research masters & supplement references · 1
AI Art Genealogy Research Master · p. 6 · 009
Date as recorded: 1958 / 1966
Information Theory and Esthetic Perception ↗
Théorie de l'information et perception esthétique
Archive account adapted from the masters, not a full translation of the linked work. AI-assisted translation; human review pending.
The master’s research claims and dates await independent verification.
Cite this node
ANTI-AI ARCHIVE. Information Theory and Esthetic Perception. Art-history node #009. https://salondesrefuses.cn/en/art-history/009
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