Historical context & research account
Bense publishes four volumes of Aesthetica in 1954–1960, followed by an expanded collected edition in 1965 and an introduction to information-theoretic aesthetics in 1969. These works connect aesthetics, information theory, statistical structure and programmed production. The genealogy marks a turn toward computational descriptions of form, order, complexity and aesthetic difference; it does not assert that art is simply information.
Dates & version record
Date displayed for this node：1954–1969 · Date recorded in the research master：1954–1969
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
Aesthetica / Einführung in die informationstheoretische Ästhetik
https://doi.org/10.1080/14735784.2025.2610177
Current cited URL
Provenance, translation & verification
Archive node #006 · Historical node
Research masters & supplement references · 1
AI Art Genealogy Research Master · p. 5 · 006
Date as recorded: 1954–1969
Aesthetica / Introduction to Information-Theoretic Aesthetics ↗
Aesthetica / Einführung in die informationstheoretische Ästhetik
Archive account adapted from the masters, not a full translation of the linked work. AI-assisted translation; human review pending.
The master’s research claims and dates await independent verification.
Cite this node
ANTI-AI ARCHIVE. Aesthetica / Introduction to Information-Theoretic Aesthetics. Art-history node #006. https://salondesrefuses.cn/en/art-history/006
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Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.