Introduction
Kunsthalle Bremen dates its version to 1968–1970 and identifies a screenprint after a plotter drawing, naming ALGOL, a Siemens computer and the ZUSE Graphomat Z64. This object date range must be distinguished from histories dating the algorithmic work to 1968.
RESEARCH ACCOUNT
Schotter: order and perturbation
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
This entry for Georg Nees is dated 1968–1970, under the original title Schotter. Uses the collection’s date range; image permission is separate. The Siemens 4004 inscription and 2002 technical field are not silently reconciled.
Section sources: Schotter, 1968–1970 — Kunsthalle Bremen
Process and material
Kunsthalle Bremen dates its version to 1968–1970 and identifies a screenprint after a plotter drawing, naming ALGOL, a Siemens computer and the ZUSE Graphomat Z64. This object date range must be distinguished from histories dating the algorithmic work to 1968.
Section sources: Schotter, 1968–1970 — Kunsthalle Bremen
Viewing the work and its documentation
Follow the loosening of the arrangement down Schotter, then examine order and displacement across the sheet. Collection dates, medium and dimensions refer to the documented object, not automatically to every version of the work.
Section sources: Schotter, 1968–1970 — Kunsthalle Bremen
Art-historical significance and comparison
Editorial interpretation: An object-specific entry traces transitions between programming, plotting and print reproduction; a computer-generated image is not necessarily an original plotter sheet.
Section sources: Schotter, 1968–1970 — Kunsthalle Bremen
Sources for this account
Read work statement and historical date fields; code not independently executed.
Uses the collection’s date range; image permission is separate. The Siemens 4004 inscription and 2002 technical field are not silently reconciled. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
An object-specific entry traces transitions between programming, plotting and print reproduction; a computer-generated image is not necessarily an original plotter sheet.
Dates & version record
Date displayed for this node: 1968–1970 · Historical date recorded for the source: 1968–1970
Uses the historical precision supported by the source; 2026-10-03 is the archive addition date.
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
Schotter
https://onlinekatalog.kunsthalle-bremen.de/DE-MUS-027614/object/11801
Current cited URL
Uses the collection’s date range; image permission is separate. The Siemens 4004 inscription and 2002 technical field are not silently reconciled.
Provenance, translation & verification
Archive node #029 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 042
Date as recorded: 1968–1970
Schotter, 1968–1970 — Kunsthalle Bremen ↗
Schotter, 1968–1970 — Kunsthalle Bremen
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
Official material was read within the stated scope; see the source note for reading limits and outstanding checks.
Cite this node
ANTI-AI ARCHIVE. Schotter: order and perturbation. Art-history node #029. https://salondesrefuses.cn/en/art-history/296
For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.
Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.