Historical context & research account
From a manually conceived machine imaginaire to actual computer programs, Molnár uses rules, permutations and small random deviations in painting and drawing. Her practice demonstrates that generative art was not suddenly invented by deep learning: artists had long treated procedures, constraints and variation as mechanisms through which works take form.
Dates & version record
Date displayed for this node:1968–1980s · Date recorded in the research master:1968–1980s
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
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Algorithmic drawings / “machine imaginaire” practice
https://www.centrepompidou.fr/en/program/calendar/event/PA7jRZ5
Current cited URL
Algorithmic drawings / “machine imaginaire” practice
https://www.centrepompidou.fr/en/program/calendar/event/TK5cQuY
URL cited in a research master or supplement; it may have moved or expired
Provenance, translation & verification
Archive node #023 · Historical node
Research masters & supplement references · 1
AI Art Genealogy Research Master · p. 9 · 023
Date as recorded: 1968–1980s
Algorithmic drawings / “machine imaginaire” practice ↗
Algorithmic drawings / “machine imaginaire” practice
Archive account adapted from the masters, not a full translation of the linked work. AI-assisted translation; human review pending.
The master’s research claims and dates await independent verification.
Cite this node
ANTI-AI ARCHIVE. Algorithmic drawings / “machine imaginaire” practice. Art-history node #023. https://salondesrefuses.cn/en/art-history/023
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