ANTI-AI ARCHIVE
ART-HISTORY NODE / 245 · 1959-10

Méta-Matic No. 17

Méta-Matic No. 17

Jean Tinguely

Introduction

Tinguely presented a mobile petrol-driven drawing machine at the 1959 Paris Biennale. Mechanical action, chance and spectatorship become performance: a mechanical context for generation and authorship, not neural-network art.

RESEARCH ACCOUNT

Méta-Matic No. 17: work and context

ANTI-AI ARCHIVE · Revised 2026-10-02

Work, material and process

The museum describes a machine moving and drawing outside the building, releasing scent and inflating a balloon until it burst. The broader Méta-Matic project invited visitors to participate. The work includes both resulting drawings and the public event of operating apparatus.

Section sources: Méta-Matic No. 17

Historical significance and questions

Editorial interpretation: machine-assisted drawing predates contemporary AI. Designing an apparatus, initiating its operation, selecting a result and making a mark can involve different agents. Shared questions of authorship do not imply a shared technical mechanism.

Section sources: Méta-Matic No. 17

Sources for this account

Méta-Matic No. 17 ↗

Cited artist or institutional description and date read; the physical original was not examined and the system was not reconstructed.

This account expands the archive within the cited scope. Historical interpretation is not presented as the original author’s statement or as a proven causal influence. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.

Continue with a comparative question

AARON ↗

Compare the methods, forms of control or presentation contexts of this entry and AARON.

Code-driven brush painting ↗

Compare the methods, forms of control or presentation contexts of this entry and Code-driven brush painting.

Dates & version record

Date displayed for this node: 1959-10 · Historical date recorded for the source: 1959-10

Date precision follows the cited work or institutional record; catalogued on 2 October 2026.

These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.

Original sources & further reading

These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.

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Méta-Matic No. 17 ↗

Méta-Matic No. 17

https://www.tinguely.ch/en/tinguely-collection-conservation/tinguely-biographie.html

Current cited URL

The cited artist or institutional record was read for the attributed work, production and exhibition information; this does not independently verify every recollection or priority claim. Historical interpretation is distinguished from the record.

Provenance, translation & verification

Archive node #245 · Work and artistic practice

Research materials & supplement references · 1

Sources for artistic practices and exhibitions (2 October 2026) · Online work or institutional record · 021
Date as recorded: 1959-10
Jean Tinguely — Biography ↗
Jean Tinguely — Biography

Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.

Official material was read within the stated scope; see the source note for reading limits and outstanding checks.

Cite this node

ANTI-AI ARCHIVE. Méta-Matic No. 17. Art-history node #245. https://salondesrefuses.cn/en/art-history/245

For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.

Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.