Introduction
Rather than first defining the essence of thought, Turing's imitation game reframes machine intelligence as a question of behavior and interaction. The master connects this operational shift with later assessments of visual generation through what systems can produce, modify and organize, rather than through a prior resolution of whether machines possess creativity.
View full image ↗Opening page of Turing’s Computing Machinery and Intelligence (1950), original journal page 433, from a scanned copy hosted by the University of Toronto.
A. M. Turing / Mind · University of Toronto hosted scan · Rights in the original image and document remain with their respective holders
Source · Computing Machinery and Intelligence ↗RESEARCH ACCOUNT
Who judges a machine’s performance, and on what evidence?
ANTI-AI ARCHIVE · Revised 2026-10-02
Setting up the imitation game
Turing replaces a demand for an exhaustive definition of thinking with a game in which an interrogator judges through written exchanges. Excluding bodily appearance and voice is part of the experimental arrangement. The paper also considers digital computers, objections and learning machines; it is more than a simple certificate later called the Turing test.
Section sources: Computing Machinery and Intelligence — reproduced text
Conditions for judging creativity
For art, the relevant question includes what viewers are allowed to know, how a work is presented and who establishes the criteria. Success within a procedure does not establish human experience. This distinction helps prevent convincing output from being treated automatically as evidence of a creative subject.
Section sources: Computing Machinery and Intelligence — reproduced text
Sources for this account
Sections 1–2 and contents of the reproduced text read; originally Mind (1950). The complete transcription was not independently collated.
This account expands the archive within the cited scope. Historical interpretation is not presented as the original author’s statement or as a proven causal influence. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
Compare the methods, forms of control or presentation contexts of this entry and Dartmouth Summer Research Project on Artificial Intelligence proposal/workshop.
Compare the methods, forms of control or presentation contexts of this entry and SPADE paper / GauGAN demo.
Dates & version record
Date displayed for this node: 1950 · Historical date recorded for the source: 1950
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Original sources & further reading
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Computing Machinery and Intelligence
https://doi.org/10.1093/mind/LIX.236.433
Current cited URL
Provenance, translation & verification
Timeline entry #005 · Historical node
Research materials & supplement references · 1
AI Art Genealogy Research Master · p. 5 · 005
Date as recorded: 1950
Computing Machinery and Intelligence ↗
Computing Machinery and Intelligence
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
The master’s research claims and dates await independent verification.
Cite this node
ANTI-AI ARCHIVE. Computing Machinery and Intelligence. Art-history node #005. https://salondesrefuses.cn/en/art-history/005
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