ANTI-AI ARCHIVE
ART-HISTORY NODE / 129 · 2021–2022

Writing with AI: a bilingual theatre experiment in Singapore

Writing with AI / 与人工智能写作

Liu Xiaoyi; Emergency Stairs

Introduction

Liu Xiaoyi and Emergency Stairs brought language-model co-writing and human–machine script comparison into a bilingual theatre experiment.

Why this entry remains in the timeline

Editorial interpretation: performance and collaborative labour make the selection and presentation of model output researchable. Turing’s test is a creative prompt here, not evidence that a machine passed an intelligence test.

Archive editorial judgment based on the cited sources; this does not establish global priority.

RESEARCH ACCOUNT

Writing with AI: a bilingual theatre experiment in Singapore

ANTI-AI ARCHIVE · Revised 2026-10-24

Work, media and date

The company dates the project to 2021–2022 and describes platform trials followed by script co-writing for online presentation. Credits distinguish Chinese- and English-language writers, research, direction and editing.

Section sources: Official project account

Historical significance and questions

Editorial interpretation: performance and collaborative labour make the selection and presentation of model output researchable. Turing’s test is a creative prompt here, not evidence that a machine passed an intelligence test.

Section sources: Official project account

Sources for this account

Official project account ↗

Project text and credits, lines 87–123

Official Chinese text and credits reread; two English-page retries timed out, so tense and credit differences rely on batch 877. Model, code, licence and performance date remain unverified; the performance was not viewed. Regina/Ora credit variants are not silently merged. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.

Continue with a comparative question

Computing Machinery and Intelligence ↗

Compare Turing’s question with its use as a theatrical prompt, without equating performance with a scientific test.

Dates & version record

Date displayed for this node: 2021–2022 · Historical date recorded for the source: 2021/2022

Company-labelled project period; exact performance date unknown. Research-source access on 20 October and history accession on 24 October 2026 are not creation dates.

These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.

Original sources & further reading

These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.

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Writing with AI: a bilingual theatre experiment in Singapore ↗

Writing with AI / 与人工智能写作

https://emergencystairs.org/writing-with-ai-zh/

Current cited URL

Official Chinese text and credits reread; two English-page retries timed out, so tense and credit differences rely on batch 877. Model, code, licence and performance date remain unverified; the performance was not viewed. Regina/Ora credit variants are not silently merged.

Related archive records

Read the related case and research context ↗

Read the original-document catalogue record ↗

Read the original-document catalogue record ↗

Provenance, translation & verification

Timeline entry #129 · Artistic practice and display

Research materials & supplement references · 1

Historical accessions, 24 October 2026 · Project text and credits, lines 87–123 · 001
Date as recorded: 2021/2022
Official project account ↗
Writing with AI / 与人工智能写作

Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.

Official material was read within the stated scope; see the source note for reading limits and outstanding checks.

Cite this node

ANTI-AI ARCHIVE. Writing with AI: a bilingual theatre experiment in Singapore. Art-history node #129. https://salondesrefuses.cn/en/art-history/367

For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.

Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.