ANTI-AI ARCHIVE
ART-HISTORY NODE / 139 · May 2022

Shizuka11: generative manga at IAG

人工知能画家・静11号 / IAG AWARDS 2022

Kazushi Mukaiyama; Shiriagari Kotobuki

Introduction

Mukaiyama used human dialogue to guide generated expressions, poses and panels. IAG’s recognition placed unfinished imagery, assistive labour and authorship within a concrete setting of artistic reception.

Why this entry remains in the timeline

IAG records an encouragement award in its manga section. Shiriagari Kotobuki notes unfinished results while considering future assistance and authorship. Editorial interpretation: named responses make reception researchable beyond release chronologies; those predictions do not establish industry adoption.

Archive editorial judgment based on the cited sources; this does not establish global priority.

RESEARCH ACCOUNT

Shizuka11: generative manga at IAG

ANTI-AI ARCHIVE · Revised 2026-10-19

Work, media and date

The artist’s KONOYO statement assigns dialogue and expressive intention to people while the programme infers expressions, poses and panels. One dialogue can yield different compositions. A listed 2021 solo presentation predates this award context.

Section sources: Kazushi Mukaiyama’s Shizuka11: artist’s statement for IAG 2022 · IAG Awards 2022: awards and named critical responses

Historical significance and questions

IAG records an encouragement award in its manga section. Shiriagari Kotobuki notes unfinished results while considering future assistance and authorship. Editorial interpretation: named responses make reception researchable beyond release chronologies; those predictions do not establish industry adoption.

Section sources: Kazushi Mukaiyama’s Shizuka11: artist’s statement for IAG 2022 · IAG Awards 2022: awards and named critical responses

Sources for this account

Kazushi Mukaiyama’s Shizuka11: artist’s statement for IAG 2022 ↗

Work, date and interpretive scope described in this node; see reading limits.

IAG Awards 2022: awards and named critical responses ↗

Work, date and interpretive scope described in this node; see reading limits.

The node retains month-level precision, without an invented award day. Organiser-related materials are not independent technical verification; the full paper, images, code, training data and permissions remain pending. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.

Continue with a comparative question

All We’d Ever Need Is One Another ↗

Compare dialogue and panel generation with machine selection of scanner images, distinguishing authors’ work in production, judgement and display.

Dates & version record

Date displayed for this node: May 2022 · Historical date recorded for the source: 2022-05

May 2022 exhibition and award context; the 20–25 May run does not establish the precise award date.

These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.

Original sources & further reading

These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.

01
Shizuka11: generative manga at IAG ↗

人工知能画家・静11号 / IAG AWARDS 2022

https://konoyo.net/exhibition/e_artist.php?aid=3973&eid=322

Current cited URL

02
IAG Awards 2022: awards and named critical responses ↗

IAG AWARDS 2022 ARCHIVE

https://kaiyu-art.net/iag/awards/awards2022.html

URL cited in a research master or supplement; it may have moved or expired

The node retains month-level precision, without an invented award day. Organiser-related materials are not independent technical verification; the full paper, images, code, training data and permissions remain pending.

Related archive records

Read the related case and research context ↗

Read the event, dates and evidence ↗

Provenance, translation & verification

Timeline entry #139 · Artistic practice and display

Research materials & supplement references · 2

Historical accessions, 19 October 2026 · Work, date and interpretive scope described in this node; see reading limits. · 003
Date as recorded: 2022-05
Kazushi Mukaiyama’s Shizuka11: artist’s statement for IAG 2022 ↗
迎山和司 / Kazushi Mukaiyama — IAG AWARDS 2022 EXHIBITION

Historical accessions, 19 October 2026 · Work, date and interpretive scope described in this node; see reading limits. · 365-2
Date as recorded: 2022-05
IAG Awards 2022: awards and named critical responses ↗
IAG AWARDS 2022 ARCHIVE

Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.

Official material was read within the stated scope; see the source note for reading limits and outstanding checks.

Cite this node

ANTI-AI ARCHIVE. Shizuka11: generative manga at IAG. Art-history node #139. https://salondesrefuses.cn/en/art-history/365

For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.

Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.