Introduction
Markusiewicz describes Hollow as both tribute to and critique of Chillida’s mountain-sculpture proposal. Its 256 digital voids reframe monumental space without excavating a real mountain; Verse dates release to April 2022.
View full image ↗hollow work image from the Right Click Save artist interview. Its caption uses 2021 while the body and release records use 2022; the date discrepancy remains unresolved.
Jacek Markusiewicz · Artwork and image rights remain with their holders; research reference does not assert an open licence.
Source · hollow ↗RESEARCH ACCOUNT
hollow: voids in nonexistent monuments
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
This entry for Jacek Markusiewicz is dated 2022-04, under the original title hollow. Interview text says 2022 while some captions say 2021; release metadata supports April 2022, with the discrepancy retained. Renderer not reproduced.
Section sources: The Interview: Jacek Markusiewicz — Right Click Save · hollow by Jacek Markusiewicz — Verse
Process and material
Markusiewicz describes Hollow as both tribute to and critique of Chillida’s mountain-sculpture proposal. Its 256 digital voids reframe monumental space without excavating a real mountain; Verse dates release to April 2022.
Section sources: The Interview: Jacek Markusiewicz — Right Click Save · hollow by Jacek Markusiewicz — Verse
Viewing the work and its documentation
Compare hollow’s cave-like boundaries and digital materials with the artist’s Schindlau discussion. The interview’s 2021/2022 discrepancy remains visible; an illustration caption does not override the entry’s release dating.
Section sources: The Interview: Jacek Markusiewicz — Right Click Save · hollow by Jacek Markusiewicz — Verse
Art-historical significance and comparison
Editorial interpretation: Architectural generation enters debates about environment, scale and cultural meaning, beyond photorealism or geometric complexity.
Section sources: The Interview: Jacek Markusiewicz — Right Click Save
Sources for this account
Read work statement and historical date fields; code not independently executed.
Read date, version or technical passages relevant to this record.
Interview text says 2022 while some captions say 2021; release metadata supports April 2022, with the discrepancy retained. Renderer not reproduced. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
Architectural generation enters debates about environment, scale and cultural meaning, beyond photorealism or geometric complexity.
Dates & version record
Date displayed for this node: 2022-04 · Historical date recorded for the source: 2022-04
Uses the historical precision supported by the source; 2026-10-03 is the archive addition date.
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
hollow
https://www.rightclicksave.com/article/the-interview-jacek-markusiewicz-generative-art-architecture
Current cited URL
Interview text says 2022 while some captions say 2021; release metadata supports April 2022, with the discrepancy retained. Renderer not reproduced.
Provenance, translation & verification
Archive node #171 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 066
Date as recorded: 2022-04
The Interview: Jacek Markusiewicz — Right Click Save ↗
The Interview: Jacek Markusiewicz — Right Click Save
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
Official material was read within the stated scope; see the source note for reading limits and outstanding checks.
Cite this node
ANTI-AI ARCHIVE. hollow: voids in nonexistent monuments. Art-history node #171. https://salondesrefuses.cn/en/art-history/320
For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.
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