Introduction
Clouds and moonlight motivate a rendering language that combines sharp stained-glass boundaries with watercolour softness. Expanding organic shapes are joined by brush-like stripes.
View full image ↗Static preview of Running Moon displayed on its Art Blocks work page, retrieved on 3 October 2026. The series release is dated 2022-07-13; this image does not reproduce dynamic or interactive execution.
Licia He / Art Blocks · Artwork and image rights remain with their holders; research reference, not an assertion of an open licence.
Source · Running Moon ↗RESEARCH ACCOUNT
Boundaries between stained glass and watercolour
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
Art Blocks dates Running Moon to 2022-07-13, with an edition field of 500 works and attribution to Licia He. This dates the release, not the beginning of every sketch or development process.
Section sources: Running Moon by Licia He
Boundaries between stained glass and watercolour
Clouds and moonlight motivate a rendering language that combines sharp stained-glass boundaries with watercolour softness. Expanding organic shapes are joined by brush-like stripes.
Section sources: Running Moon by Licia He
Viewing the work and its documentation
Look closely at translucent layers, edges and overlapping colours in Running Moon. Its relationship to watercolour can be read through the artist’s process account while distinguishing a screen effect from paint acting on paper.
Section sources: Running Moon by Licia He · View work: Running Moon #50
Art-historical significance and comparison
Editorial interpretation: Material experience is recomposed through code, showing that generative practice concerns perceived material qualities as well as geometry.
Section sources: Running Moon by Licia He
Sources for this account
Read work statement and historical date fields; code not independently executed.
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Read Art Blocks release date, edition field and work statement; scripts, contracts and long-term executability not independently audited. Chinese titles are archive renderings. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
Material experience is recomposed through code, showing that generative practice concerns perceived material qualities as well as geometry.
Dates & version record
Date displayed for this node: 2022-07-13 · Historical date recorded for the source: 2022-07-13
Uses the historical precision supported by the source; 2026-10-03 is the archive addition date.
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Original sources & further reading
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Running Moon
https://www.artblocks.io/collection/running-moon-by-licia-he
Current cited URL
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Provenance, translation & verification
Archive node #184 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 012
Date as recorded: 2022-07-13
Running Moon by Licia He ↗
Running Moon by Licia He
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
Official material was read within the stated scope; see the source note for reading limits and outstanding checks.
Cite this node
ANTI-AI ARCHIVE. Running Moon: boundaries between stained glass and watercolour. Art-history node #184. https://salondesrefuses.cn/en/art-history/266
For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.
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