Introduction
An idealised plant populates a potentially unbounded field. Seasons determine colours and weather effects; species-wide and individual parameters operate at different scales. Shared colours destabilise figure-ground boundaries.
View full image ↗Static preview of Fragments of an Infinite Field displayed on its Art Blocks work page, retrieved on 3 October 2026. The series release is dated 2021-09-13; this image does not reproduce dynamic or interactive execution.
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Source · Fragments of an Infinite Field ↗RESEARCH ACCOUNT
Composing through seasons and plant variation
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
Art Blocks dates Fragments of an Infinite Field to 2021-09-13, with an edition field of 1,024 works and attribution to Monica Rizzolli. This dates the release, not the beginning of every sketch or development process.
Section sources: Fragments of an Infinite Field by Monica Rizzolli
Composing through seasons and plant variation
An idealised plant populates a potentially unbounded field. Seasons determine colours and weather effects; species-wide and individual parameters operate at different scales. Shared colours destabilise figure-ground boundaries.
Section sources: Fragments of an Infinite Field by Monica Rizzolli
Viewing the work and its documentation
Move between a single flower and the whole field, comparing repeated forms, overlapping layers and seasonal palettes. The field is a space organised by the program, rather than a botanical survey of a physical location.
Section sources: Fragments of an Infinite Field by Monica Rizzolli · View work: Fragments of an Infinite Field #933
Art-historical significance and comparison
Editorial interpretation: Plants are more than decorative subjects: growth, population variation and figure-ground relations become compositional problems, offering a figurative route distinct from Qilin.
Section sources: Fragments of an Infinite Field by Monica Rizzolli
Sources for this account
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Continue with a comparative question
Plants are more than decorative subjects: growth, population variation and figure-ground relations become compositional problems, offering a figurative route distinct from Qilin.
Dates & version record
Date displayed for this node: 2021-09-13 · Historical date recorded for the source: 2021-09-13
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Original sources & further reading
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Fragments of an Infinite Field
https://www.artblocks.io/collection/fragments-of-an-infinite-field-by-monica-rizzolli
Current cited URL
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Provenance, translation & verification
Archive node #144 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 003
Date as recorded: 2021-09-13
Fragments of an Infinite Field by Monica Rizzolli ↗
Fragments of an Infinite Field by Monica Rizzolli
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Cite this node
ANTI-AI ARCHIVE. Fragments of an Infinite Field: composing through seasons and plant variation. Art-history node #144. https://salondesrefuses.cn/en/art-history/257
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