ANTI-AI ARCHIVE
ART-HISTORY NODE / 144 · 2021-09-13

Fragments of an Infinite Field: composing through seasons and plant variation

Fragments of an Infinite Field

Monica Rizzolli

Introduction

An idealised plant populates a potentially unbounded field. Seasons determine colours and weather effects; species-wide and individual parameters operate at different scales. Shared colours destabilise figure-ground boundaries.

SOURCE IMAGE#144
Static preview of Fragments of an Infinite Field displayed on its Art Blocks work page, retrieved on 3 October 2026. The series release is dated 2021-09-13; this image does not reproduce dynamic or interactive execution.View full image ↗

Static preview of Fragments of an Infinite Field displayed on its Art Blocks work page, retrieved on 3 October 2026. The series release is dated 2021-09-13; this image does not reproduce dynamic or interactive execution.

Monica Rizzolli / Art Blocks · Artwork and image rights remain with their holders; research reference, not an assertion of an open licence.

Source · Fragments of an Infinite Field ↗

RESEARCH ACCOUNT

Composing through seasons and plant variation

ANTI-AI ARCHIVE · Revised 2026-10-03

Work and historical context

Art Blocks dates Fragments of an Infinite Field to 2021-09-13, with an edition field of 1,024 works and attribution to Monica Rizzolli. This dates the release, not the beginning of every sketch or development process.

Section sources: Fragments of an Infinite Field by Monica Rizzolli

Composing through seasons and plant variation

An idealised plant populates a potentially unbounded field. Seasons determine colours and weather effects; species-wide and individual parameters operate at different scales. Shared colours destabilise figure-ground boundaries.

Section sources: Fragments of an Infinite Field by Monica Rizzolli

Viewing the work and its documentation

Move between a single flower and the whole field, comparing repeated forms, overlapping layers and seasonal palettes. The field is a space organised by the program, rather than a botanical survey of a physical location.

Section sources: Fragments of an Infinite Field by Monica Rizzolli · View work: Fragments of an Infinite Field #933

Art-historical significance and comparison

Editorial interpretation: Plants are more than decorative subjects: growth, population variation and figure-ground relations become compositional problems, offering a figurative route distinct from Qilin.

Section sources: Fragments of an Infinite Field by Monica Rizzolli

Sources for this account

Fragments of an Infinite Field by Monica Rizzolli ↗

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View work: Fragments of an Infinite Field #933 ↗

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Continue with a comparative question

Memories of Qilin: code, pattern and folklore ↗

Plants are more than decorative subjects: growth, population variation and figure-ground relations become compositional problems, offering a figurative route distinct from Qilin.

Dates & version record

Date displayed for this node: 2021-09-13 · Historical date recorded for the source: 2021-09-13

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Original sources & further reading

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Fragments of an Infinite Field: composing through seasons and plant variation ↗

Fragments of an Infinite Field

https://www.artblocks.io/collection/fragments-of-an-infinite-field-by-monica-rizzolli

Current cited URL

Read Art Blocks release date, edition field and work statement; scripts, contracts and long-term executability not independently audited. Chinese titles are archive renderings.

Provenance, translation & verification

Archive node #144 · Generative-art expansion: artists, works and execution

Research materials & supplement references · 1

Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 003
Date as recorded: 2021-09-13
Fragments of an Infinite Field by Monica Rizzolli ↗
Fragments of an Infinite Field by Monica Rizzolli

Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.

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Cite this node

ANTI-AI ARCHIVE. Fragments of an Infinite Field: composing through seasons and plant variation. Art-history node #144. https://salondesrefuses.cn/en/art-history/257

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