ANTI-AI ARCHIVE
SOURCES / SRC-1757

Artificial Intelligence Art and Aesthetics Exhibition: Is it the composer’s fault that the performer has only10 fingers?

The archive provides Chinese and English research texts. Translations may be AI-assisted and may not yet have received independent human review. Consult the original-language sources alongside them.

Artificial Intelligence Art and Aesthetics Research Group

Read original source (JA)

https://www.aibigeiken.com/exhibition2022/index.html

Reading location

Japanese programme 31–81,144–170,194–265; English 65–82,169–173,203–262 selected comparison, not whole paired translation audit.

RESEARCH NOTE

AIAARG’s 25 December 2022 Tama programme juxtaposes machine aesthetics, music and generated imagery. It explicitly says its symphony uses noAI, while a poster image is credited to AIPatronageGroup+Midjourney with human prompt adjustment. Programme/self-account, not delivery or technicalaudit. Priority, legalstatus and consciousness claims unverified. Not all piano/naturalobject/symphonicwork is AIgenerated. Japanese/English work-year/chronology spans differ; update logs are not verified snapshots. Images/recordings and trainingrights unchecked. Publicationdate follows self-reported pagecreation log, not independent originalcapture.

Capture status

No verified capture is recorded. The original page may change; an access date is not a historical version date.

Events citing this source

No displayed event currently cites this source.

Cite this record

ANTI-AI ARCHIVE. “Artificial Intelligence Art and Aesthetics Exhibition: Is it the composer’s fault that the performer has only10 fingers?.” src-1757. Include this page’s URL and your access date when citing.