The archive provides Chinese and English research texts. Translations may be AI-assisted and may not yet have received independent human review. Consult the original-language sources alongside them.
ILHAM Art Show2022 presents Sabran’s MACHINE (NOT) LEARNING;the booklet frames its analogue electronics and embrace of failure as anti-AI.
What changed
An anti-AI stance enters an exhibition through a hand-built electronic installation and bilingual work text.
The work was not viewed or heard, the installation was not tested, and models or material permissions were not examined. The artist’s concerns remain attributed positions; analogue interaction does not establish machine-learning implementation. The 2022 work year, exhibition dates, unknown publication date and acquisition date remain distinct. 17 May is the gallery’s listed opening, not an exact production date or global premiere. The exhibition’s 31 participants are not 31 AI artists. ‘Implemented’ refers only to the institution-described display, not verified technical performance or independent reception.
Editorial research question
Editorial: imperfect,low-tech audiovisual interaction gives2022 Southeast Asian AI resistance a concrete artistic form;its anti-AI concept is not a generative model.
This is an editorial interpretation or question, separate from factual statements.
Evidence & sources
Exhibition dates
SRC-1622HTML84–96 full programme text/date/production-grant account;publication undated
Case
Related documents
DOC-1548Exhibition programmeDOC-1549Exhibition booklet:selected worksCite this record
ANTI-AI ARCHIVE. “ILHAM presentation.” evt-0534. Include this page’s URL and your access date when citing.