Chinese and English archive texts include AI-assisted translations, not independently human-reviewed. Consult the original-language sources alongside them.
CENART's transcript records AMPROFON's Guillermo González King advocating rights-holder permission and negotiated remuneration before training, disclosure of AI use and protection of artists' likenesses and related interests.
What changed
CENART's transcript records AMPROFON's Guillermo González King advocating rights-holder permission and negotiated remuneration before training, disclosure of AI use and protection of artists' likenesses and related interests.
The institutional recording date is used, not the programme upload date. The speaker mentions a joint statement by 36 associations released that day; the original was not checked, so no separate statement event is added. Summaries of NO FAKES and Deezer in the transcript were not independently verified and are not restated as settled legal or platform facts.
Editorial research question
Editorial interpretation: music-industry rights holders raise training permission, remuneration and disclosure in a film-education setting, giving cross-disciplinary policy discussion a concrete location and speech record.
This is an editorial interpretation or question, separate from factual statements.
Evidence & sources
CENART's transcript records AMPROFON's Guillermo González King advocating rights-holder permission and negotiated remuneration before training, disclosure of AI use and protection of artists' likenesses and related interests.
SRC-0253Lines 45–68: programme and speaker; 149–157: concluding demands in the transcript; 174–200: publication and recording dates.
CENART / Canal 23 · ES · 2025-10-18
Case
Related documents
DOC-0241AI use in creative industries and its impact on copyrightCite this record
ANTI-AI ARCHIVE. “Guillermo González King calls for AI permission and transparency at a copyright seminar.” evt-0243. Include this page’s URL and your access date when citing.