The archive provides Chinese and English research texts. Translations may be AI-assisted and may not yet have received independent human review. Consult the original-language sources alongside them.
Museo Moderno dates Martín Legón’s exhibition from21 August 2024 to23 February 2025, curated by Francisco Lemus, framing a dialogue between analogue pedagogical traditions of Escuelismo and AI, knowledge and authorship.
The start date is only the earliest event collected in this batch; it does not assert that the controversy began that day.
Case chronology
Exhibition opens at Museo Moderno
Museo Moderno dates Martín Legón’s exhibition from21 August 2024 to23 February 2025, curated by Francisco Lemus, framing a dialogue between analogue pedagogical traditions of Escuelismo and AI, knowledge and authorship.
Legón publishes account of invitation animations
On 12 September 2024 Legón published an account of animating two frames reposted by an X bot into five-second invitations using Klingai. He reported apologising and removing them upon learning of an earlier creator, and said they were absent from the exhibition.
Research question
A museum juxtaposes AI with pedagogical-material traditions in Argentine art, creating a situated inquiry into authorship and knowledge production.
Related documents
DOC-0684Martín Legón: Only the Stones RememberDOC-0685The glass slipper: creative disautonomy in the digital ageSources
Museo de Arte Moderno de Buenos Aires · ES · Date unknown
Revista Otra Parte · ES · 2024-09-12
Cite this record
ANTI-AI ARCHIVE. “AI Art History — Martín Legón: Solo las piedras recuerdan.” case-0249. Include this page’s URL and your access date when citing.

