Introduction
QQL separates algorithm exploration from official minting: anyone may generate images, while pass holders select outputs for the series. The project describes collector curation; Pace dates the website launch to September 2022.
View full image ↗Work image shown on Tyler Hobbs’s QQL project page; no individual token identifier is independently established here.
Tyler Hobbs; Dandelion Mané · Artwork and image rights remain with their holders; research reference does not assert an open licence.
Source · QQL ↗RESEARCH ACCOUNT
QQL: collectors select generated outputs
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
This entry for Tyler Hobbs; Dandelion Mané is dated 2022-09, under the original title QQL. A later artist essay contains a conflicting 2021 mint-pass date; this entry uses Pace’s September 2022 website date, not that field.
Section sources: About QQL · Tyler Hobbs: QQL: Analogs — Pace Gallery
Process and material
QQL separates algorithm exploration from official minting: anyone may generate images, while pass holders select outputs for the series. The project describes collector curation; Pace dates the website launch to September 2022.
Section sources: About QQL · Tyler Hobbs: QQL: Analogs — Pace Gallery
Viewing the work and its documentation
QQL separates exploring outputs from minting collectibles. Its Create page supports experimentation and comparison; the official account associates saving with a wallet and minting with a pass. This selection process changes the relation between artist, system and collector.
Section sources: About QQL · Tyler Hobbs: QQL: Analogs — Pace Gallery
Art-historical significance and comparison
Editorial interpretation: It relocates selection within long-form generation, making collecting part of the work’s formation rather than simply accepting an output at mint time.
Section sources: About QQL
Sources for this account
Read work statement and historical date fields; code not independently executed.
Read date, version or technical passages relevant to this record.
A later artist essay contains a conflicting 2021 mint-pass date; this entry uses Pace’s September 2022 website date, not that field. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
It relocates selection within long-form generation, making collecting part of the work’s formation rather than simply accepting an output at mint time.
Compare rules, versions, materials or participation; the nature of the connection follows the sources for each entry.
Dates & version record
Date displayed for this node: 2022-09 · Historical date recorded for the source: 2022-09
Uses the historical precision supported by the source; 2026-10-03 is the archive addition date.
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
A later artist essay contains a conflicting 2021 mint-pass date; this entry uses Pace’s September 2022 website date, not that field.
Provenance, translation & verification
Archive node #194 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 061
Date as recorded: 2022-09
About QQL ↗
About QQL
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
Official material was read within the stated scope; see the source note for reading limits and outstanding checks.
Cite this node
ANTI-AI ARCHIVE. QQL: collectors select generated outputs. Art-history node #194. https://salondesrefuses.cn/en/art-history/315
For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.
Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.