Introduction
In 2019 LIA participated in A2P by performing her 1997 interactive program herself, creating a non-interactive single-channel video. Her page credits Reas, Silva, Wagenknecht and exonemo as curators.
RESEARCH ACCOUNT
A2P and LIA’s reinterpretation of Cube_1997
ANTI-AI ARCHIVE · Revised 2026-10-03
Work and historical context
This entry for LIA; Casey Reas; Rick Silva; Addie Wagenknecht; exonemo is dated 2019, under the original title A2P (Artist to Peer) / Cube_1997. Dates the reinterpretation and exchange experiment, not the original work; not all A2P participants or contracts were audited.
Section sources: A2P (Artist to Peer): A Seminal Blockchain Experiment
Process and material
In 2019 LIA participated in A2P by performing her 1997 interactive program herself, creating a non-interactive single-channel video. Her page credits Reas, Silva, Wagenknecht and exonemo as curators.
Section sources: A2P (Artist to Peer): A Seminal Blockchain Experiment
Viewing the work and its documentation
Distinguish LIA’s 1997 Cube from its 2019 A2P reinterpretation. The artist-page video presents the latter’s timing; the 24-second noninteractive video, earlier interactive work and blockchain exchange mechanism occupy different layers.
Section sources: A2P (Artist to Peer): A Seminal Blockchain Experiment
Art-historical significance and comparison
Editorial interpretation: This documents early software art entering blockchain exchange through a changed object, not an unchanged interactive program placed on-chain.
Section sources: A2P (Artist to Peer): A Seminal Blockchain Experiment
Sources for this account
Read work statement and historical date fields; code not independently executed.
Dates the reinterpretation and exchange experiment, not the original work; not all A2P participants or contracts were audited. The account and translation are AI-assisted, pending independent human review. Section references identify evidence without claiming independent verification of every historical statement.
Continue with a comparative question
This documents early software art entering blockchain exchange through a changed object, not an unchanged interactive program placed on-chain.
Compare rules, versions, materials or participation; the nature of the connection follows the sources for each entry.
Compare rules, versions, materials or participation; the nature of the connection follows the sources for each entry.
Dates & version record
Date displayed for this node: 2019 · Historical date recorded for the source: 2019
Uses the historical precision supported by the source; 2026-10-03 is the archive addition date.
These dates refer to the historical event or recorded version, not this page’s publication date. The original date precision and unresolved questions are retained.
Original sources & further reading
These links lead to the cited paper, article, institution or conference page. External texts retain their source languages.
A2P (Artist to Peer) / Cube_1997
https://www.liaworks.com/nfts/a2p-artist-to-peer-a-seminal-blockchain-experiment/
Current cited URL
Dates the reinterpretation and exchange experiment, not the original work; not all A2P participants or contracts were audited.
Provenance, translation & verification
Archive node #103 · Generative-art expansion: artists, works and execution
Research materials & supplement references · 1
Expanded register of generative artists and crypto ecosystems · Read work statement and historical date fields; code not independently executed. · 052
Date as recorded: 2019
A2P (Artist to Peer): A Seminal Blockchain Experiment ↗
A2P (Artist to Peer): A Seminal Blockchain Experiment
Archive account based on the listed research materials, not a full translation of the linked work. AI-assisted translation; independent human review pending.
Official material was read within the stated scope; see the source note for reading limits and outstanding checks.
Cite this node
ANTI-AI ARCHIVE. A2P and LIA’s reinterpretation of Cube_1997. Art-history node #103. https://salondesrefuses.cn/en/art-history/306
For specific historical claims, also cite the original sources above and include your access date. This account is not a full translation of the linked work.
Adjacent nodes follow chronological order; adjacency does not establish direct influence or causation.